Over time free improvisation has grown in great significance in my music making as a performer-composer. I try to create music that has the emotive freedom and intensity of free improvisation - I love its energy, focus and agility – but captured in scores (in some type of form) from which musicians can perform! 

Selected works:

Herbig-Haro for Violin and Double Bass (2017)

Hybrid graphic score devised for and performed by Rebecca Raimondi (Violin) and Seth Bennett (Double Bass).

Score - Live recording at Hundred Years Gallery 13 May 2017 


The Illuminated Man for Piano, Flute, Saxophone, Violin and Double Bass (2017)

An open scored work exploring questions and realisations. Written for and performed by Matthew Bourne (Piano) and Ensemble Entropy - Georgia Cooke (Flute/Alto Flute), Matt London (Baritone/Tenor Saxophone), Rebecca Raimondi (Violin) and Seth Bennett (Double Bass).

Live recording 25/4/17 IKLECTIK London

Beneath the Horizon for Large Ensemble (2017)

For Leeds College of Music | New Music Collective (Amplified Ensemble) Direction: Damien Harron

"from below the shadows glances of light appear and vanish" - imagine hidden forces constantly in flux some subtle, some not so growing towards a point which for now is unseen. Full of graphic elements, non-traditional notations and not a time signature or barline in sight, I am trying to push the players in to creating uninhibited textures and moments that fluctuate and crest away from the standard compositional tradition. For me the interplay between performers is really important, intriguing and exciting!

Live performance 27/02/17 The Venue - Leeds College of Music

Serenade for Solo Voice (2016)

Text score written for and performed by Loré Lixenberg. Live electronics by Ardeshir Mostajeran.

The Wind Blows South for Flute, Tenor Saxophone, Trumpet, Violin and Double Bass (2016)

Inspired by a Jo Surzyn poem. Written for and performed by ENSEMBLE ENTROPY exploring the relationship and balance between open scoring, free improvisation and traditional notation.

Georgia Cooke (Flute), Matt London (Tenor Saxophone), Rebecca Raimondi (Violin), Seth Bennett (Double Bass), with Ben Zucker (Trumpet).

Live recording 3/8/16 IKLECTIK London

Some Not All for Three Cellos (2015)

A graphic score written for and performed by Tre Voci: Torun Stavseng, Gregor Riddell and Colin Alexander.

Live workshop recording Brunel University London 13.10.15

Flea Circus for Oboe, Violin, Tenor Saxophone & Double Bass (2015)

"Roll up, roll up, roll up! Ladies and gentlemen, boys and girls... let my rag tag troupe of performers entertain you!"

Written for Trish Clowes' Emlusion Quartet for the 3rd Cheltenham Composer Academy.

Joe Sanders - Oboe
Donald Grant - Violin
Trish Clowes - Tenor Saxophone
Calum Gourlay - Double Bass

Performance recording from Cheltenham Music Festival 2015.

Northern Call for Bass Clarinet, Violin, Viola, Cello and Percussion (2015)

Written for and performed by the brilliant Distractfold Ensemble. The score is openly notated and mainly based around a simple notation key. This key is designed to encourage free and personal interpretation… not exact repetitions. 

A keening for a place afar and in the past.

Rocío Bolaños - Bass Clarinet
Linda Jankowska - Violin
Emma Richards - Viola
Alice Purton - Cello
Rodrigo Constanzo - Percussion

Workshop recording at the Centre for Contemporary Music Practice.

FaN | Fanfare about Nothing for Violin, Horn & Cassette player (2015)

Written for Jetpack Bellerive: Noëlle-Anne Darbellay [violin] and Samuel Stoll [horn] for their brilliant "bored to death" programme. For this piece I have tried to look at my use of musical line and the edge of sound. 

A fanfare quite literally about nothing!

Live performance recording at the Centre for Contemporary Music Practice.

Shard for Bass Clarinet & Live Electronics (2014)

Written for Marij van Gorkom []. Patch [MAX MSP] designed and created by Ben Fox.

This piece looks at sound as if it were light passing through glass constantly shifting and shimmering. Sometimes corse and sharp imagine a visceral energy like an electrical undercurrent passing through unseen before it breaks and shatters. Performed & recorded live at the Centre for Contemporary Music Practice.

Lament for Michel for Improvising ensemble (2013)

Character postcard piece written for and performed by notes inégales at the London Jazz Festival November 2013.

Michel Petrucciani was a person and musician always full of joy ignoring the affliction of a disease that stunted his growth and weakened his bones to become one of the most celebrated jazz pianists of his generation. 

The Pervasive Force for Tenor Saxophone and Piano (2012) | Recorded by Matt and Dave Howard on the CD "SPEAK NOW" (ML001)

Just two tones form the basis of this piece, and these two influence each other, develop, and spread into The Pervasive Force!

Written as a salute to the tenor saxophone the work is built around the interval between F# and Ab, exploring different uses of the material through interweaving chords and melodic lines before transforming into a hard hitting and sweeping force demonstrating the full and rich tone of the tenor.

Unstable Molecules for Set Up & Contemporary Ensemble (2010)

Written for percussionist Robin Eggers. The work is based on the melding of classical percussion and improvisation. The piece contains three main flavours taken from classical, free improv and jazz, which has been formulated into a structure with space for the performers to improvise and experiment within, leading to a overall feel of spontaneity.

Do get in touch if you have an idea for a future piece or project!
More works can be found on my soundcloud page.